Reimagining Billy Joel’s Glass Houses as a Concept Album

I’ve made it through six albums in my ongoing Billy Joel retrospective, which means it’s time to write a review for his seventh: Glass Houses. It’s certainly one of Joel’s best albums, and I’ve been listening to it again recently in preparation for writing the review. There’s one thing I noticed that I wanted to comment…

FAQ: Grammy Snubs

Q: Why didn’t [your favorite artist] get nominated for Song, Album, or Record of the Year? A: Nominations in the Big Three categories are designed to recognize achievements beyond those of the artist. That’s why none of these awards have the word “artist” in them. Song of the Year, then, is given for the best…

Green Day’s Trilogy of Desperate Hope

In the summer of 2011, I was privileged enough to see Green Day play an impromptu, intimate concert at an Orange County, California venue normally reserved for bands who have sold about 1/100th as many records as they have.  I had just moved out to southern California, and the area greeted me by placing me within…

How to Support the Artists You Believe In

Today I’ve got a message for you that’s near and dear to my heart.  Remember that band Mae?  If not, it’s cool, but they were a big part of my musical life.  And for the last three records they put out, Mae was a self-managed band from top to bottom. Lead singer Dave Elkins has…

Billy Joel retrospective: A victim of desire

Over the past year, I have been working on writing in-depth reviews and features on Billy Joel’s discography. As I publish them, I will link to the articles in below Album Reviews (out of five stars) Cold Spring Harbor (1971) – *** Piano Man (1973) – ****½ Streetlife Serenade (1974) – *** Turnstiles (1976) –…